Cabot Institute for the Environment blog

This short article introduces the ecological thought of Felix Guattari. I suggest that Guattari’s holistic delineation of three interconnected ecologies is a productive place to begin in thinking about contemporary ecological issues. Following on from this, and away from traditional environmental discourse and politics, I argue that aesthetic encounters with film hold the potential for a re-invigoration of ecological thought. I explore this briefly in relation to ‘Melancholia’ by Lars Von Trier. The 21st Century is increasingly defined by ecological crisis. With global biodiversity losses, the rapid melting of ice-caps and glaciers, rising ocean temperatures and desertification (all complemented by humanity’s continued, unshakeable appetite for fossil fuels), the contemporary environmental moment is an urgent dilemma. In response, academia has converged on a neologism – ‘the Anthropocene’ – as a suitable expression of contemporary ecological crisis. This is not just a geologic

This blog post thinks through the themes of aesthetic interventions, sensing time and engendering response-ability using artistic responses to climate change. Here, these themes are drawn from one piece of art, Your Waste of Time, by Danish-Icelandic artist Olafur Eliasson. This performative showcasing of glacial ice establishes interactions and relations between human bodies and icy materialities- but what is at stake here and what potentialities could be created through artistic practices? These are questions that have arisen through my current dissertation, where I hope to explore artistic responses to environmental degradation through the materialities of ice and plastic. For the piece Your Waste of Time, Danish-Icelandic artist Olafur Eliasson transported several large blocks of ice from Vatnajökull, the largest and oldest glacier in Iceland, to the Berlin gallery Neugerriemschneider (Eliasson, 2006). This glacier is almost incomprehensibly ancient, with some parts dating fro

Sunflowerfest is an annual three-day festival of music and art held just outside Lisburn, Northern Ireland, priding itself on its family friendly atmosphere and sprawling spectrum of creative activities. Unlike the monster festivals that are held in other parts of the UK, in Northern Ireland our festivals are small (think a few thousand people, not a few hundred-thousand) with a strong focus on local talent. The perfect place for some experimental, creative science outreach… In 2016, I contacted the organisers and floated the idea of a science outreach stall based upon my research and others in BRIDGE and the Cabot Institute. The idea, called Living Earth, was new, reasonably grand and completely untested. The response was a very enthusiastic “yes please!” So, last year a squad of five outreachers (Alan Kennedy, Emily White and Michael Cooper of the Cabot Institute, plus Dewi Owen and Zuleika Gregory our puppeteers) arrived in blustery Northern Ireland and over the course of the fe

At the end of June, the Cabot Institute hosted the Global Environmental Change mini-symposium – a one hour whistle-stop tour showcasing the breadth of research within this theme of the Cabot Institute. Speakers represented different schools from the University that actively work on the spectrum of Global Environmental Change challenges, such as environmental law and policy, biodiversity conservation, biogeochemical cycles, environmental justice and environmental history. Each speaker had time for a very short talk, with some choosing to focus on specific aspects of their work in depth and others instead covering the breadth of research carried out by colleagues in their school. The audience too came from a wide background, with everyone from undergraduate and masters students up to professors represented. Although with five speakers (plus some words from the theme leaders, Jo House and Matt Rigby) there was not much time for questions during the hour of talks, there was plenty o